I am very glad to announce that I have signed to Decca Classics, I am looking forward to beginning this next chapter.

Aigul Akhmetshina

Discography

Aigul - Solo Album - Decca Classics

Aigul - Solo Album - Decca Classics

Schedule

Past | Upcoming

 Dec. 14 
2024

Jose Miguel Pérez-Sierra, Conductor
David McVicar, Stage Director

 Dec. 17 
2024

Jose Miguel Pérez-Sierra, Conductor
David McVicar, Stage Director

 Dec. 20 
2024

Jose Miguel Pérez-Sierra, Conductor
David McVicar, Stage Director

 Dec. 23 
2024

Jose Miguel Pérez-Sierra, Conductor
David McVicar, Stage Director

 Dec. 26 
2024

Jose Miguel Pérez-Sierra, Conductor
David McVicar, Stage Director

 Dec. 29 
2024

Jose Miguel Pérez-Sierra, Conductor
David McVicar, Stage Director

 Feb. 17 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Feb. 20 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Feb. 23 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Feb. 26 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Mar. 01 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Mar. 04 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Mar. 07 
2025

Francesco Lanzillotta, Conductor
Vasily Barkhatov, Stage Director

 Apr. 09 
2025

Mark Elder, Conductor
Damiano Michieletto, Stage Director

 Apr. 11 
2025

Mark Elder, Conductor
Damiano Michieletto, Stage Director

 Apr. 14 
2025

Mark Elder, Conductor
Damiano Michieletto, Stage Director

 Apr. 21 
2025

Mark Elder, Conductor
Damiano Michieletto, Stage Director

 Apr. 24 
2025

Mark Elder, Conductor
Damiano Michieletto, Stage Director

 Apr. 26 
2025

Mark Elder, Conductor
Damiano Michieletto, Stage Director

 May. 16 
2025

Giacomo Sagripanti, Conductor
Bartlett Sher, Stage Director

 May. 22 
2025

Giacomo Sagripanti, Conductor
Bartlett Sher, Stage Director

 May. 27 
2025

Giacomo Sagripanti, Conductor
Bartlett Sher, Stage Director

 May. 31 
2025

Giacomo Sagripanti, Conductor
Bartlett Sher, Stage Director

 June. 05 
2025

Giacomo Sagripanti, Conductor
Bartlett Sher, Stage Director

 June. 28 
2025

Diego Matheuz, Conductor
Damiano Michieletto, Stage Director

 July. 02 
2025

Diego Matheuz, Conductor
Damiano Michieletto, Stage Director

 July. 05 
2025

Diego Matheuz, Conductor
Damiano Michieletto, Stage Director

 July. 08 
2025

Diego Matheuz, Conductor
Damiano Michieletto, Stage Director

 July. 11 
2025

Diego Matheuz, Conductor
Damiano Michieletto, Stage Director

 July. 13 
2025

Diego Matheuz, Conductor
Damiano Michieletto, Stage Director

 July. 23 
2025

Enrique Mazzola, Conductor

 July. 25 
2025

Enrique Mazzola, Conductor

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 Nov. 02 
2024

Dan Ettinger, Conductor
Daniele Finzi Pasca, Stage Director

 Oct. 31 
2024

Dan Ettinger, Conductor
Daniele Finzi Pasca, Stage Director

 Oct. 29 
2024

Dan Ettinger, Conductor
Daniele Finzi Pasca, Stage Director

 Oct. 27 
2024

Dan Ettinger, Conductor
Daniele Finzi Pasca, Stage Director

 Oct. 25 
2024

Dan Ettinger, Conductor
Daniele Finzi Pasca, Stage Director

 Oct. 20 
2024

János Kovács, Conductor

 Sept. 20 
2024

Ivan Repušić, Conductor

 Sept. 17 
2024

 Sept. 10 
2024

Pier Giorgio Morandi, Conductor
Calixto Bieito, Stage Director

 Sept. 07 
2024

Pier Giorgio Morandi, Conductor
Calixto Bieito, Stage Director

 Sept. 05 
2024

Pier Giorgio Morandi, Conductor
Calixto Bieito, Stage Director

 Aug. 24 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 22 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 20 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 17 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 15 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 12 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 09 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 07 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 04 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 Aug. 01 
2024

Anja Bihlmaier, Conductor
Diane Paulus, Stage Director

 July. 13 
2024

Leonardo Sini , Conductor
Franco Zeffirelli, Stage Director

 July. 05 
2024

Leonardo Sini , Conductor
Franco Zeffirelli, Stage Director

 June. 29 
2024

Riccardo Frizza, Conductor
Jetske Mijnssen, Stage Director

 June. 26 
2024

Riccardo Frizza, Conductor
Jetske Mijnssen, Stage Director

 June. 23 
2024

Riccardo Frizza, Conductor
Jetske Mijnssen, Stage Director

 June. 20 
2024

Riccardo Frizza, Conductor
Jetske Mijnssen, Stage Director

 June. 07 
2024

Riccardo Muti/Francesco Ivan Ciampa, Conductor
Michele Olcese, Stage Director

 May. 16 
2024

Antonio Pappano, Conductor

 May. 05 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 May. 01 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 26 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 23 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 16 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 14 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 11 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 08 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Apr. 05 
2024

Antonello Manacorda, Conductor
Damiano Michieletto, Stage Director

 Mar. 11 
2024

 Jan. 27 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 23 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 19 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 16 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 12 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 09 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 05 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Jan. 03 
2024

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Dec. 31 
2023

Daniele Rustioni, Conductor
Carrie Cracknell, Stage Director

 Nov. 11 
2023

Yoel Gamzou, Conductor
Marina Abramović, Stage Director

 Nov. 11 
2023

Yoel Gamzou, Conductor
Marina Abramović, Stage Director

 Nov. 09 
2023

Yoel Gamzou, Conductor
Marina Abramović, Stage Director

 Nov. 05 
2023

Yoel Gamzou, Conductor
Marina Abramović, Stage Director

 Nov. 03 
2023

Yoel Gamzou, Conductor
Marina Abramović, Stage Director

 Oct. 26 
2023

Ben Glassberg, Conductor
Ole Anders Tandberg, Stage Director

 Oct. 21 
2023

Ben Glassberg, Conductor
Ole Anders Tandberg, Stage Director

 Oct. 16 
2023

Ben Glassberg, Conductor
Ole Anders Tandberg, Stage Director

 Oct. 03 
2023

Daniele Rustioni, Conductor
Lina Wertmüller, Stage Director

 Sept. 30 
2023

Daniele Rustioni, Conductor
Lina Wertmüller, Stage Director

 Sept. 26 
2023

Daniele Rustioni, Conductor
Lina Wertmüller, Stage Director

 Aug. 19 
2023

Marco Armiliato, Conductor

 July. 04 
2023

Antonio Pappano, Conductor
Benoît Jacquot, Stage Director

 July. 01 
2023

Antonio Pappano, Conductor
Benoît Jacquot, Stage Director

 June. 28 
2023

Antonio Pappano, Conductor
Benoît Jacquot, Stage Director

 June. 23 
2023

Antonio Pappano, Conductor
Benoît Jacquot, Stage Director

 June. 20 
2023

Antonio Pappano, Conductor
Benoît Jacquot, Stage Director

 May. 28 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 May. 25 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 May. 21 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 May. 18 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 May. 15 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 May. 12 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 May. 09 
2023

Enrique Mazzola, Conductor
Jetske Mijnssen, Stage Director

 Mar. 06 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Mar. 01 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 28 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 22 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 15 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 13 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 09 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 05 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Feb. 02 
2023

Rafael Payare, Conductor
Moshe Leiser and Patrice Caurier, Stage Director

 Dec. 29 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 23 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 20 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 17 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 14 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 11 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 08 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Dec. 03 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Nov. 29 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Nov. 26 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Nov. 20 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Nov. 17 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Nov. 14 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Nov. 10 
2022

Speranza Scappucci, Conductor
Bartlett Sher, Stage Director

 Oct. 14 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

 Oct. 11 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

 Oct. 09 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

 Oct. 06 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

 Oct. 01 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

 Sept. 28 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

 Sept. 25 
2022

Vassilis Christopher, Conductor
Robert Carsen, Stage Director

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Biography

Upcoming

Since her debut as Carmen at the Royal Opera House at the age of 21, Ms Akhmetshina is making waves in the operatic world. Her upcoming engagements include stage debuts as Carmen with Wiener Staatsoper, Charlotte Werther with Deutsche Oper Berlin, Rosina Il barbiere di Siviglia with The Metropolitan Opera and Opéra national de Paris, Adalgisa Norma with Theater an der Wien, Elisabetta Maria Stuarda with Teatro Real Madrid, Carmen at The Royal Opera House and Teatro di San Carlo. Future engagements include debuts with Staatsoper Berlin, Opernhaus Zürich, a return to Bayerische Staatsoper, Teatro Real Madrid, The Royal Opera House, The Metropolitan Opera, Deutsche Oper Berlin, as Adalgisa, Elisabetta, Carmen, Rosina, Charlotte, Isabella, Dalila, Donna Elvira and Maffio Orsini.    

Recent

Romeo I Capuleti e i Montecchi at the Salzburger Festspiele, new productions of Carmen at the Metropolitan Opera (dir. Carrie Cracknell, cond Daniele Rustioni), Royal Opera House (dir. Damiano Micheletto, cond. Antonello Manacorda), Deutsche Oper Berlin, Bayerische Staatsoper, the Glyndebourne Festival, Arena di Verona, Elisabetta Maria Stuarda at the Teatro di San Carlo and the Dutch National Opera. Charlotte Werther, Rosina Il barbiere di Siviglia, Carmen, Preziosilla La forza del destino at The Royal Opera House, Angelina La Cenerentola at Teatro Real Madrid, Rosina Il barbiere di Siviglia with Opéra national de Paris.

Awards

Grand Prix at the International Hans Gabor Belvedere Singing Competition, International Opera Award Winner - Best Female Singer category.

Recordings

Rossini's La Cenerentola 'Non piu mesta'

Bizet's Carmen “Près des remparts de Séville”

Rossini's LE BARBIER DE SÉVILLE by Gioacchino

Bizet's Carmen “L’amour est un oiseau rebelle”

Bizet's Carmen - Finale

Rossini's The Barber of Seville - 'Una voce poco fa'

Bizet Carmen's Card Aria 'En vain pour éviter'

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Press

Metropolitan Opera - Bizet - Carmen - Carmen

And mezzo-soprano Aigul Akhmetshina made a magnetic and often caustic Carmen, her voice equally suited to silken lightness as leathery depth. The show barely seemed to move before she emerged from behind a blood-red door on a catwalk above the action. Her Act I introduction, that familiar habanera (“L’amour est un oiseau rebelle”), was freshened by her humanistic reading, lightened by luminous choral work, and refined through the detail-oriented ear of conductor Daniele Rustioni.
Akhmetshina also gave Carmen a restless physicality that never cut into her singing. Her Act II seduction (“Je vais danser en votre honneur ... La la la”) found her stretched across a set of gas pumps. Her reverie with her fellow thieves had her dangling from packing straps and dancing atop crates of smuggled weapons. Depending on the actress, Carmen can be a center of gravity or a black hole; Akhmetshina granted enough room for her to be both.


Michael Andor Brodeur , The Washington Post

Metropolitan Opera - Bizet - Carmen - Carmen

The only truly impressive aspect of this “Carmen” is its Carmen: the 27-year-old mezzo-soprano Aigul Akhmetshina, in turquoise cowboy boots. Though this icon of the repertory is her first leading role at the Met, she seems unfazed by the pressure, singing with easily penetrating evenness and clarity, never needing to push. Her molten yet agile tone can be confiding one moment and extroverted the next, and she moves with magnetic naturalness onstage. 


Zachary Woolfe , The New York Times

London Royal Opera House - JPYA Summer Performance -

Aigul Akhmetshina, who opened the second act in Dalila's big aria, launching herseld with ease over the huge orchestration...She has a dark quallity to her voice and shone dramatically on stage


Louise Flind , OperaNow

London Royal Opera House - Bizet - Carmen - Carmen

Mezzo-soprano Aigul Akhmetshina has an immaculate voice. It is slender, gentle, and soothing on many levels, making her a solid Carmen. She has a ringing top that was on full display throughout the inserted portions of the Habanera, which challenges the singer with a higher tessitura. She managed her voice quite well throughout this version of the piece, especially in moments where she had to sing over a blasting choral ensemble. There was great flexibility in her singing throughout the Seguidille, but she truly shone throughout Gypsy song that opens Act two. Here she not only managed to tackle all of the piece’s vocal challenges, but did so while dancing incessantly. Her voice never sounded the least bit troubled by the choreography; it was a true virtuoso display. “En vain pour éviter” was perhaps the lone moment where her Carmen projected any contrasting emotions, the mezzo darkening her delicate timbre and even expressing a sense of dread with some sharp accents in the lower reaches of her voice as she lamented her fate.


David Salazar , OperaWire

London Royal Opera House - Recital at Lunch

Aigul Akhmetshina, a 21-year-old Russian mezzo-soprano, is the real deal. She was discovered as a 19-year-old by David Gowland, the artistic director of the Jette Parker Young Artists programme, who proudly and skilfully accompanied her in a lunchtime recital at St Clement Danes in London. Akhmetshina began with Wagner's Wesendonck Lieder, sounding much more mature than 21 (already a Brangäne for Tristan und Isolde), although there's a charming naivety about her. She has the beauty in her voice for this music but also darkness and blade, with an intense vibrato. She's innately musical - and instinctive - which was revealed in Shostakovich's Spanish Songs. Her resonant lower register and easy top combine a 'cool hotness' - perfect for Carmen, which she's covering at ROH next year. Akhmetshina is heading for the major mezzo roles, and deserves to be a big star. 


Louise Flind , Opera Now

Royal Opera House - Verdi - La forza del destino - Preziosilla

The star of the evening was undoubtedly Aigul Akhmetshina, whose vivid, vocally lustrous Preziosilla should really have been chosen for the cast. This singer is clearly going places.


Hugh Canning

Royal Opera House - Verdi - La forza del destino - Preziosilla

Jette Parker Young Artists’ Program member Aigul Akhmetshina was a technically secure and often exciting Preziosilla with a youthful and agile voice. Even more remarkably, this mezzo from Bashkortostan threw herself with gusto into the highly choreographed dance sequences, a mix of chorus line, belly dancing and burlesque. I don’t envy her A-cast colleague who needed to compete with the moves of this multi-talent. 


Philip Eisenbeiss , Interlude.hk

Royal Opera House - Verdi - La forza del destino - Preziosilla

Aigul Akkmetshina did everything that was asked of her as Preziosilla, which is a lot, ranging from attempted seduction of Don Alvaro, to creating a series of musical-theatre style dance numbers for the final scene of Act Three. Akhmetshina has a high, bright mezzo-soprano voice and is perhaps not a conventional Preziosilla but she shone here with a winning personality and I look forward to her in further roles.


Planet Hugill

Royal Opera House - Verdi - La forza del destino - Preziosilla

Aigul Akhmetshina was a superbly alluring Preziosilla, executing her song-and-dance numbers with panache and displaying some great low-register vocal technique along the way. She’s a talent to look out for.


David Karlin , Bachtrack

Wexford Festival Opera - Massenet - Don Quichotte - The beautiful Dulcinea

Akhmetshina, already a rising star at Covent Garden for her Carmens, and a thrilling Preziosilla in the B-cast recent Forza del destino (she should have been alongside Anna Netrebko and Jonas Kaufmann), has everything for this role: the looks, the sultry vocal endowment and a natural “watch-me” stage charisma that had the audience on the edge of their seats. We can expect great things from this impossibly young — she is only 23 — singer, if she isn’t pushed into heavy roles too soon.


The Times

Wexford Festival Opera - Massenet - Don Quichotte - The beautiful Dulcinea

Aigul Akhmetshina is very much the star attraction in the cast. Her outstanding success as Carmen at the Royal Opera last summer was evident in the way in which she portrayed the sultry señorita with whom the Don is besotted. Akhmetshina clearly relishes the dance content – perfect flamenco wrists – and her every move crackles with electricity. Her vibrant mezzo is well-suited to the role too, earthy in the guitar-accompanied “Ne pensons qu'au plaisir d'aimer”, but gorgeously shaped in Dulcinée’s apology after she laughingly rejects Quichotte’s proposal of marriage.


Mark Pullinger , Bachtrack

Wexford Festival Opera - Massenet - Don Quichotte - The beautiful Dulcinea

Aigul Akhmetshina ist optisch und stimmlich eine Idealbesetzung für die Partie der Belle Dulcinée. Mit samtweichem Mezzosopran fängt sie einerseits die Melancholie der Figur ein, wenn sie in ihrer Auftrittsarie die Vergänglichkeit der Jugend beklagt, und spielt andererseits absolut glaubhaft die Verführungskunst dieser Femme fatale aus, die ihre Verehrer zappeln lässt. 


Thomas Molke , Online Musik Magazin

Wexford Festival Opera - Massenet - Don Quichotte - The beautiful Dulcinea

Russian mezzo Aigul Akhmetshina’s smoky tone and genuine emotional warmth set her up perfectly as Don Quichotte’s idealised innamorata Dulcinea – for whom no sacrifice could ever be too great.


George Hall , The Stage

Wexford Festival Opera - Massenet - Don Quichotte - The beautiful Dulcinea

The Russian mezzo-soprano Aigul Akhmetshina is a sultry Dulcinée with a voice that’s appealingly ripe and fruity,


Michael Dervan , Irish Times

Wexford Festival Opera - Massenet - Don Quichotte - The beautiful Dulcinea

The beautiful Dulcinée was played by the Russian mezzo-soprano, Aigul Akhmetshina. In what was a powerful performance, her strong stage presence enabled to her capture the attention of the audience, as well as that of the local men, who hung on her every word. Certainly flirtatious, she was a woman in control, which she asserted from the very outset by her commanding entrance, singing the faux Spanish aria, “Alza, la femme,” which showed off the warm sultry color of her voice, as she boasted of her preference for freedom over security and riches, which contained more than a hint of Carmen. Nor was it a simple one-dimensional portrayal; in rejecting Don Quichotte’s marriage proposal, she was also able to bring out the sensitive side of her character, clothing the lines of her aria “Oui, Je souffre votre tristesse,” with tenderness and sympathy.


Alan Neilson , OperaWire

Glyndebourne Festival - Leos Janacek - Katya Kabanova - Varvara

Kudryash’s girlfriend, less likely to be crushed by her place in the Kabanov household than Katya, is lustrously sung by Aigul Akhmetshiina.


David Nice , The Arts Desk

Glyndebourne Festival - Leos Janacek - Katya Kabanova - Varvara

 Aigul Akhmetshina sparkles as the naughty, imprudent Varvara.


David Karlin , Bachtrack

Teatro di San Carlo - Tchaikovsky - Pique Dame / Queen of Spades - Polina

As Lisa’s companion Polina, Aigul Akhmetshima displayed a powerful mezzo-soprano, with an asserting firmness in the voice that gave her singing an ear-catching tension.


Lorenzo Fiorito , Bachtrack

Glyndebourne Festival - Leos Janacek - Katya Kabanova - Varvara

Kudryash’s girlfriend, less likely to be crushed by her place in the Kabanov household than Katya, is lustrously sung by Aigul Akhmetshiina.


David Nice , The Arts Desk

Glyndebourne Festival - Leos Janacek - Katya Kabanova - Varvara

 Aigul Akhmetshina sparkles as the naughty, imprudent Varvara.


David Karlin , Bachtrack

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Contacts

Represented by

TACT Artists Management

Marcin Kopec

marcin@tact4art.com

+44 79 81 91 88 14



Kamelia Manovska

kamelia@tact4art.com


Simon Millward, Premier

Press & Public Relations

simon.millward@premiercomms.com



Kamelia Manovska

kamelia@tact4art.com